compensation.

    I  upon tiful rural custom, because as it is one of t, so is it one of t, of?ces of love.

    true affection. It is t ts its superiority to tinctive impulse of mere animal attac. tter must be continually refres alive by ts object, but t is seated in tions of sense languised turn  from ts of tomb; but it is t truly spiritual affection rises, puri?ed from every sensual desire, and returns, like a o illumine and sanctify t of the survivor.

    to be divorced. Every oto ion to forget; but t a duty to keep open, tion we cude.

    t t perision is a pang?   t tender of parents, to remember be but to lament?  tomb is closing upon t loved,  al,  of consolation t must be bougfulness? No, tomb is one of t attributes of t s  s delig of grief is calmed into tle tear of recollection,   loved is softened ao pensive meditation on all t it s loveliness,  suc? t may sometimes t y, or spread a deeper sadness over t  of revelry? No, tomb ser than song.

    to  buries every error, covers every defect, extinguisment! From its peaceful bosom spring none but fond regrets and tender recollections.  feel a compunctious t  lies mouldering before him?

    But t a place for meditation!

    t is t ory of virtue and gentleness, and ts lavis unercourse of intimacy; t is t enderness, tenderness, of ting scene. ts sti?ed griefs--its noiseless attendance--its mute, cies. t testimonies of expiring love! ttering, the hand!

    t, faltering accents, struggling in deato gi